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Opera

Dido and Æneas, No.31: Chorus - Destruction's our delight

2:24	Est. Play Time
88	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	60	6	7	100%
	28	20	6	6	96%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	60	6	7	100%
	28	20	6	6	96%
A	12	0	2	5	35%
B	12	0	2	5	35%
S	10	0	1	4	35%
T	11	0	1	5	35%

J. Hoffenbach, Les contes d'Hoffmann: Couplets bachiques

Mélisande

3:08	Est. Play Time
69	Measures
	1,180Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	37	8	7	100%
	31	43	8	3	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	37	8	7	100%
	31	43	8	3	100%
Hoffmann	14	0	3	6	75%
B	10	2	1	3	25%
T	11	10	2	3	25%
S	11	5	1	3	24%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
Violoncello (Continuo)	19	0	3	6	100%
Alto as Dorinda	15	0	4	8	78%
Contrabasses	8	0	0	3	8%
Viola	10	0	0	3	8%
Violins I	11	0	0	5	8%
Violins II	10	0	0	3	8%
Violoncellos	8	0	0	3	8%

Claude Debussy - Pelleas et Melisande Act 5 (Vocal Score) WIP

LeftRight

3:15	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	40	26	18	9	88%
	39	60	16	7	79%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	40	26	18	9	88%
	39	60	16	7	79%
Le Médecin	8	0	2	5	21%
Arkel	11	0	4	6	17%
Golaud	14	0	6	4	17%
Mélisande	5	0	2	3	13%

HWV1A2N14 "Nein, nein, Fernando, nein!"

edward.maurath

2:11	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
Fernando	14	0	4	6	46%
Harp	19	25	6	4	42%
	13	11	3	4	42%
Harpsi	16	17	4	3	33%
	17	15	5	3	33%
Lute	17	17	6	2	25%
	21	15	7	2	29%
Osman	11	0	1	3	17%

Il Trovatore, Coro di Zingari e Canzone

Voorburgs Operakoor

2:32	Est. Play Time
89	Measures
	1,164Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	10	4	8	96%
	23	18	5	6	96%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	10	4	8	96%
	23	18	5	6	96%
B	12	0	2	8	63%
T	14	0	3	8	62%
A	11	0	1	8	28%
S	13	0	2	8	28%
g	2	0	0	1	26%

Verdi, Rigoletto: Act 1 - Zitti, zitti

Mélisande

2:43	Est. Play Time
108	Measures
	3,861Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	40	72	17	6	97%
	37	43	15	5	86%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	40	72	17	6	97%
	37	43	15	5	86%
Basse 1	16	0	6	6	50%
Basse 2	16	0	6	5	50%
Borsa	14	0	6	6	50%
Ceprano	16	0	6	5	50%
Marullo	13	0	4	6	50%
Ténor 1	14	0	6	6	50%
Ténor 2	12	0	4	6	50%
Rigoletto	7	0	2	5	11%
Gilda	3	0	1	6	6%

HWV7A2N0b "Siam prossimi al porto" (1731)

edward.maurath

2:15	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
Violoncello	22	0	6	7	100%
Goffredo	14	0	4	7	57%
Violins	12	0	2	6	41%
Kontrebaß	15	0	1	5	40%
Violoncellos	15	0	1	5	40%

huguenots437

BossRC202

2:53	Est. Play Time
71	Measures
	1,392Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	0	4	9	86%
	13	4	4	9	83%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	0	4	9	86%
	13	4	4	9	83%
	12	17	3	6	37%
	12	6	2	7	74%
	16	5	1	7	86%
	19	15	8	8	97%
	13	7	2	5	31%

Richard Wagner - ENDE.zu.PARSIFAL in Full score.

Jamie Holdham

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.	19	6	4	8	100%
II.	20	5	7	11	100%
View all 25 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.	19	6	4	8	100%
II.	20	5	7	11	100%
Br. (get)	22	6	8	11	91%
Violas	21	6	7	11	91%
Vcl.	18	4	4	12	77%
III. IV.	12	12	5	7	59%
K.B.	10	0	1	7	55%
I.	11	0	2	6	41%
	12	0	2	7	50%
I. Klar. in B.	10	0	0	7	45%
III.	6	0	1	6	27%
	10	0	1	7	41%
	2	0	1	2	14%
	10	0	1	7	36%
Fl. II.	9	0	1	7	41%
I.II. Pos.	13	14	0	7	36%
I.II. Fag.	7	2	3	5	32%
II. III.	8	0	5	5	32%
I. II. Horn in F.	9	12	3	6	27%
II.III.	9	9	2	6	27%
Althob.	7	0	1	6	27%
Hob. II.	6	0	0	6	27%
Bab-Tb.	2	0	0	4	23%
I. Trp. in F.	4	3	0	1	9%
Pk.	1	0	0	1	9%

Boris Godunov Act IV Scene II

d-klenin

2:32	Est. Play Time
76	Measures
	1,661Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F	24	28	6	7	70%
	19	29	7	6	74%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F	24	28	6	7	70%
	19	29	7	6	74%
Violinen	23	4	8	8	67%
	28	1	11	7	67%
Violas	24	17	10	7	64%
Violoncellos	22	5	8	8	62%
B Klarinette	27	24	9	6	61%
	25	4	10	4	58%
C Tuba	20	16	9	5	60%
Fagott	29	25	12	6	60%
Kontrabasse	18	0	6	8	58%
Bass	19	12	6	7	57%
Oboe	22	13	9	7	52%
Posaune	16	19	5	5	49%
Tenor	17	11	6	5	49%
Trompete in F	13	1	5	5	47%
B Trompete	19	18	8	5	46%
Flöte	17	0	7	4	42%
	15	7	8	5	34%
Pauke	3	0	0	5	33%